NEWS NOTES: February 14, 2012

February 14, 2012

Here are links to some items you might find of interest:

1) Just in time for St. Valentine’s Day, marriage equality has become the law of the land in Washington State, the seventh state (plus the District of Columbia) to enact such a law.  Catholic Governor Christine Gregoire signed the bill on February 13th. The Chicago Tribune ran a Reuters story, “Washington governor signs gay marriage law,” which notes Gregoire’s faith. Equally Blessed, the coalition of Catholic organizations which work for LGBT justice and equality (of which New Ways Ministry is a member) issued a statement affirming Governor Gregoire’s action.

2) Two Catholic “coming out” stories appeared on the web recently.  The Quinnipiac Chronicle carries “The Pride Inside,” an article about college student Michael Castro’s experience.  Posterous Spaces carries “Coming to terms with my homosexuality at the University of Notre Dame,” by Tanya Barrios, an alumna.

3) Maggie Gallagher, of the National Organization for Marriage, a Catholic who works against marriage equality is profiled in Salon.com article, “The making of gay marriage’s top foe.”

–Francis DeBernardo, New Ways Ministry

 


Storm Brews Around Religiously-Themed Play

February 14, 2012

Does the thought of portraying Mary, the Blessed Mother, as a lesbian offend you?

A new play being produced in Charlotte, North Carolina does just that.  According to a report in theThe Charlotte Observer:

“The play is “The Most Fabulous Story Ever Told,” an off-Broadway hit comedy written by Paul Rudnick. It opened Thursday night in Charlotte and is being staged through Feb. 18 by the Queen City Theatre Company.”

Some Catholics there have staged protests at the theatre, and the bishop of Charlotte, Bishop Bishop Peter Jugis, who, according to a Catholic News Service story in The Georgia Bulletin, said in a letter to the performing arts company:

” ‘The implication that the Blessed Virgin Mary is a lesbian is gravely offensive to Catholics and to all Christians, who hold Mary in the highest regard as the mother of the Savior. . . .Please do not allow this play to be performed. Please cancel these performances out of consideration for the religious sensibilities of Christians and all people of good will.’ “

For several reasons the protest may be somewhat overblown.

First, inThe Charlotte Observeraccount, the theater claims that the play, in fact, does not depict the Blessed Mother:

” ‘It is obvious that (people who make that claim) have not read nor have they seen the play. (The character) Mabel is Mabel. She is not The Virgin Mary. She is a woman, whether gay, straight, or whatever, that is experiencing the divine gift and miracle of a child.’ “

I can’t judge whether that statement is accurate or not because I have not seen the play.  Which is exactly the point.  It is impossible to judge an artistic project without experiencing it first hand.

Let’s assume for a moment, however, that the play does make strong allusions to the Blessed Mother, and that that character is also a lesbian.  Is that offensive to people of faith?

Clearly, there is no evidence in any of the gospels or Christian tradition to indicate Mary’s sexual orientation.  To portray her as a lesbian is obviously poetic  license, not a historical theory.  It would seem to be designed to perhaps shock people, perhaps to make them think, and perhaps to make a point about our assumptions about religion and sexuality.

One assumption that the Catholic protest exposes is that there is something wrong with being a lesbian.  Why else would it be offensive to think of Mary in that way?

In 1998, a New York theater staged Terrence McNally’s play Corpus Christi, which portrayed Jesus and his apostles as gay men.  Major protest erupted, including death threats against the playwright.  Metal detectors were set up at the theater’s entrance.

I went to see the play, and found it inspiring.  The way the drama worked, the audience came away less with any ideas about the  facts of Jesus’ and the apostles’ sexuality, but with a deeper sense of what it means to be gay and to face religious bigotry.  The play was making a contemporary message, not a historical or theological one.

In a case like this, threats of censorship by the bishop and Catholics do nothing more than encourage more people to attend the play to see what the fuss is all about.

Despite the protests, the theater company has promised that the show will go on.  The production, they say will

” ‘celebrate love, faith, belief, God, and the right to question why we exist and why are on this earth. This production will not be stopped out of fear or pressure.’ “

–Francis DeBernardo, New Ways Ministry


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